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issue no. 28: utopia

june 2026

 

This issue of Pearl Press features work from:

Hunter Mathews, David Salcedo, Long Hei (Jackie) Ma, Brent Galen Adkins, Mike Hamar, Michael Francalanci, Mengjia (Jun) Zhao, Polly Conway, Judith Hornbogen, Carol Burbank, Kristin Satterlee, Verónica Piñero

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Cover image: Brent Galen Adkins 

Curated by: Delilah Twersky

Download the PDF →

nude in the center of an empty field

The Green Hours: Hunter Mathews

grassy path

Tomir: David Salcedo

two hands on a roof's ledge from bird's eye view

Overgrown: Long Hei (Jackie) Ma

portrait of a young person in the sun with their eyes closed

Afters: Brent Galen Adkins 

sunset

Untitled: Mike Hamar

young child lying on their back with eyes closed on a blanket

Dirty Feet: Michael Francalanci

ZHAO_Mengjia_009.JPG

MUGEN: Mengjia (Jun) Zhao

circlular rock in an empty field

Tomir: David Salcedo

two people hugging in a body of water fom behind

Afters: Brent Galen Adkins 

secret beach my brother took me to one time

A baby sunfish body dries on the sand.

Think of how big it could have gotten.

You know that one on the internet

With bites taken out of its forehead?

He just goes on. Enough of everything

to spare.

Polly Conway

rose bush in parking lot

Untitled: Mike Hamar

woman breast feeding child on a rock

Dirty Feet: Michael Francalanci

people in bathing suits in a body of water

Sheep Like Stone: Judith Hornbogen

baby with a hand shadowed on its face outside

Dirty Feet: Michael Francalanci

how beautiful as i can be!

the grammar of beauty is unrelenting
one thing wrong 
meaning interrupted:

warts over all
no amount love enough
convincing nothing 
verb can’t bridge noun,
lips can’t pop lips

eyes can’t mirror meet

good hard sex cure it would
lost syntax juiced sweet,

but ugly hates lust
evidence of failure
before failure

howbeautifulasyoucanbe!
Chinese skin cream shouts
God knows what’s init
noone’s telling anyway
that impossible question
poison or potion?

and older us
lucky to wrinkle
feel guilty
not for living
but for change

so…  not very
so insisting
the diagram be young
sentence-wise

nothing much
sense making
nothing much
beautiful

Carol Burbank

people in bathing suits in a body of water

Sheep Like Stone: Judith Hornbogen

bite taken out of a red apple

Afters: Brent Galen Adkins 

Elio_s Spot-Color-2.wrk.jpg

The Green Hours: Hunter Mathews

tree roots hanging

Tomir: David Salcedo

two nudes in the forest hanging on a tree

The Green Hours: Hunter Mathews

the pit of feelings

It’s quite a sensational act of rebellion to even consider centering joy, or feelings at all

These days. Radical even.
To think about valuing and accepting, possibly even celebrating, raw emotion.
Living in that self-inflicted warmth without leaving room for repercussion or judgment,

Well, that’s fucking revolutionary.


A lot of people don’t want to take that leap from solid ground into the Pit of Feelings.

Most don’t want to venture into the unknown,
Even if what they know is less than fine. People are more willing to live with

Familiar mediocrity.
Thinking you’re better off standing in shit than diving headfirst into innumerable

Bliss is completely crazy, but we often do it anyway.
I definitely do...well, did.


Feeling euphoric is getting to stand on the precipice of allowing your feelings to fall.

For me, utopia isn’t freedom from discontent or pain. Rather,
It is the ability to feel in those moments, to move on and through them the best way I

Know how.
Utopia is feeling free to embody helplessness, and even feel a little nauseous,

When I think of Wyoming (yes, the state and it seems insane. I’m aware).
It is feeling pure delight and a smidge of melancholy
When I see a parent and child on the subway, happy together.
Utopia is knowing I am present, allowing the moment to flood the Pit,

And, if necessary, granting forgiveness because it is a gift I give myself


So I can float.

Kristin Satterlee

group of laughing people taken from underneath the chin

Afters: Brent Galen Adkins 

fog in a pond surrounded by grass

Tomir: David Salcedo

bike rider in the very back of a dark empty scene

Interval: Verónica Piñero

Thank you for reading.

For more updates check @pearl.press on Instagram.

www.pearl-press.com

Delilah Twersky

Pearl Press

©2026

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