issue no. 28: utopia
june 2026
This issue of Pearl Press features work from:
Hunter Mathews, David Salcedo, Long Hei (Jackie) Ma, Brent Galen Adkins, Mike Hamar, Michael Francalanci, Mengjia (Jun) Zhao, Polly Conway, Judith Hornbogen, Carol Burbank, Kristin Satterlee, Verónica Piñero
Cover image: Brent Galen Adkins
Curated by: Delilah Twersky
Download the PDF →

The Green Hours: Hunter Mathews

Tomir: David Salcedo

Overgrown: Long Hei (Jackie) Ma

Afters: Brent Galen Adkins

Untitled: Mike Hamar

Dirty Feet: Michael Francalanci

MUGEN: Mengjia (Jun) Zhao

Tomir: David Salcedo

Afters: Brent Galen Adkins
secret beach my brother took me to one time
A baby sunfish body dries on the sand.
Think of how big it could have gotten.
You know that one on the internet
With bites taken out of its forehead?
He just goes on. Enough of everything
to spare.
Polly Conway

Untitled: Mike Hamar

Dirty Feet: Michael Francalanci

Sheep Like Stone: Judith Hornbogen

Dirty Feet: Michael Francalanci
how beautiful as i can be!
the grammar of beauty is unrelenting
one thing wrong
meaning interrupted:
warts over all
no amount love enough
convincing nothing
verb can’t bridge noun,
lips can’t pop lips
eyes can’t mirror meet
good hard sex cure it would
lost syntax juiced sweet,
but ugly hates lust
evidence of failure
before failure
howbeautifulasyoucanbe!
Chinese skin cream shouts
God knows what’s init
noone’s telling anyway
that impossible question
poison or potion?
and older us
lucky to wrinkle
feel guilty
not for living
but for change
so… not very
so insisting
the diagram be young
sentence-wise
nothing much
sense making
nothing much
beautiful
Carol Burbank

Sheep Like Stone: Judith Hornbogen

Afters: Brent Galen Adkins

The Green Hours: Hunter Mathews

Tomir: David Salcedo

The Green Hours: Hunter Mathews
the pit of feelings
It’s quite a sensational act of rebellion to even consider centering joy, or feelings at all
These days. Radical even.
To think about valuing and accepting, possibly even celebrating, raw emotion.
Living in that self-inflicted warmth without leaving room for repercussion or judgment,
Well, that’s fucking revolutionary.
A lot of people don’t want to take that leap from solid ground into the Pit of Feelings.
Most don’t want to venture into the unknown,
Even if what they know is less than fine. People are more willing to live with
Familiar mediocrity.
Thinking you’re better off standing in shit than diving headfirst into innumerable
Bliss is completely crazy, but we often do it anyway.
I definitely do...well, did.
Feeling euphoric is getting to stand on the precipice of allowing your feelings to fall.
For me, utopia isn’t freedom from discontent or pain. Rather,
It is the ability to feel in those moments, to move on and through them the best way I
Know how.
Utopia is feeling free to embody helplessness, and even feel a little nauseous,
When I think of Wyoming (yes, the state and it seems insane. I’m aware).
It is feeling pure delight and a smidge of melancholy
When I see a parent and child on the subway, happy together.
Utopia is knowing I am present, allowing the moment to flood the Pit,
And, if necessary, granting forgiveness because it is a gift I give myself
So I can float.
Kristin Satterlee

Afters: Brent Galen Adkins

Tomir: David Salcedo

Interval: Verónica Piñero
Thank you for reading.
For more updates check @pearl.press on Instagram.
Delilah Twersky
Pearl Press
©2026

